指南永远正确 现实偶尔出错
The Guide is Always Right
and The Reality is Occasionally Wrong


在这个如同太空舱的展览里，策展人与艺术家都将失去其既定的身份，成为宇航员般的探索者与建造者。这段旅程将成为某种封闭的时间与空间的奥德赛漂流，而太空舱被视作总体装置，从一个流动的开放空间中被拷贝成为一个Countpart，并再次置入开放且拓扑的“此时此地“的协同剧场之中。艺术家们在此扮演科幻小说家、产品设计师、游戏设计师、声音创作者和视觉工作者等角色，所有人各司其职。当然，一个前提，他们必须说服自己。在总体的秩序之内，工作仍有灵光的漏网之鱼，而最后开放的情境，在完成之后只需静静等待，等待那位观众，那位寻找者。

“n＋2”的太空漫游
［n］位总体协作

大悲宇宙（林琨皓）、傅志刚、侯柯杉、黄成、李维伊、王智一、阳芷倩、张业鸿将以不同以往的身份出现，共同建构一个开放情境。

［2］位驻地介入
Btr，将在展览期间驻地，为宇宙尽头的餐厅（the Restaurant at the Egg of Universe）撰写专属它的小说。喜鹊，将在展览现场见缝插针进行创作。


In the exhibition, which is like a spacecraft, curators and artists will lose their established identities but become explorers and builders like cosmonauts. This journey, as an Odyssey drift of closed time and space, the capsule will also be seen as a total installation, copied from a flowing open space into a countpart and again, here and now, into an open and topological collaborative theater, where artists play the roles of science fiction writer, product designer, game designer, sound creators and visual artist. Nobody will empower themselves with heroism, but do their jobs. One premise, of course, is that they have to convince themselves that within the total order, there is still an aura slipping through the net. In that last situation, all you need to do is to wait quietly for the spectator, the seeker.

Spacewalk of "n+2"
[n] Total collaboration:

DABEIYUZHOU-Lin Kunhao, Fu Zhigang, Hou Keshan, Huang Cheng, Li Weiyi, Wang Zhiyi, Yang Zhiqian, Zhang Yehong will present in different roles, to create an open scene together.

[2] Residency intervention:
Btr will write a novel for The Restaurant at the Egg of the Universe during the exhibition.
Happybird usually avail themselves of every opportunity according to the scene.